
Logo design for Culture Connection hot sauce company. 2021
Concert Visuals, Video Production, Animation, and Motion Graphics
Hired by San Francisco based musician “Maxwell Powers” to create this full length virtual reality music video.
Upload VR published an article about it which you can read here:
https://uploadvr.com/trippy-360-video-pairs-well-um-anxiety-medication/
Contracted by M2MG to complete this video in order to advertise new software. I designed the storyboards, motion graphics, animation, and did the audio editing.
The Untz Festival 2019 was held in Mariposa California. I was doing content creation and live visuals on the Wormhole Stage brought to you by Wormhole Entertainment. The stage was designed and built by Simple Machinists.
For this project I used Resolume and Touchdesigner for live visuals.
I mixed a combination of custom animations that were prerendered to be mapped to the stage, as well as realtime 3D plugins to control texturing and lighting in realtime.
Contracted as production assistant for this Paypal commercial.
I even got to be an extra! See if you can find me.
Here are some of the animations I made to go on tour with Phuture Primitive fall 2015. The animations were created for the Carey Thompson stage, and Even Glantz from Third Eye Visuals VJed the clips along with work from other animators.
You can see more work from Carey Thompson at
Galactivation
http://www.phutureprimitive.com/tour-dates Cj
Hand to Mouth – A seed’s journey from hand to plate.
Filmed at Main Stage West May 2015
Featuring John Duykers, Kira Dills-Surra, and James Pelican
Director and Librettist: Missy Weaver
Composer/Performer: Miguel Frasconi
Motion Graphics, Video, Projection Mapping, and Interactive Programming by Matthew Eben Jones, Logan Jhonston and Matthew Childers
Costumes by Maria Christoff
This was a really great project and we got to work with a lot of different mediums for this one. We created all custom content for the 3D projection mapped stage that evolved cue by cue with the performance. The custom animations, projection mapping, LED strips, and stage lighting were controlled with a custom video and lights application programmed with Touchdesigner. There were a few scenes that also incorporated real-time animation using motion-tracking cameras. The tech for this show was in development for two years and is still an ongoing process expanding with the performances of First Look Sonoma.
Here is a quick edit of some of the animations and motion graphics I designed.